Friday, 31 July 2009

Starting in Voice Overs

Part 2. The Voice Over Industry
Years ago, a nice well modulated voice was a requirement – not so, today! Listen to TV commercials and radio commercials. Many producers are going for that “quirky”, “different”, or “real person” sound. So, today, I’d say, the more distinctive your voice is maybe the better. I say maybe because if you’ve got a distinctive voice and live in a major market like London or Manchester, you might find enough work for your “quirky” style to make a living. If you’re in a smaller market, there may not be enough call for an unusual sound to keep you going. If you have a pleasing, non-accented sound, you may be more viable for a broader range of productions. The more versatile you are, typically, the more work you will get. But whatever your voice “type”, there are basics that you need know and practice to become a professional voice talent.

Many voice over performers come to freelance work from radio or television programming or news. DJ’s often have a specific style that is required for radio programming. That style can work against them in the commercial or corporate marketplace. They have to work at getting back to a more “normal” way of speaking, a bit more relaxed with more natural inflections and pauses, more “conversational” if you like.
Often, people will want to become a professional voice talent because they have been told they have a nice voice or a good phone voice. That’s all well and good, and in addition to years of experience, that’s one of the things that guided me to looking into becoming a professional voice talent. I thought, that just might be something worth finding out about. Not having been a DJ or in television news, I had not experienced the broadcast arena. Little did I realise at the time, that becoming a professional voice talent would become my bread and butter! But, the most important thing to remember here is, having a nice voice is not all there is to becoming a successful professional voice talent, the number one thing is how you interpret the copy or in other words, your acting ability.

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